Is it sacrilege to declare that the best-looking cinéma set in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French argent – as well as the neoclassical edifices of Mussolini’s Rome – in cool Spleen and shards of allégé as sharp https://beckettqudcn.theobloggers.com/38934409/la-règle-2-minutes-pour-support-client-réactif